lovesliescrushing Chicago, Illinois
scott cortez. guitar/ melissa arpin-duimstra. voice
formed
1991
“Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early ‘missing link’ between the likes of Slowdive and Fennesz...works that contain an element of sonic mystery and still sound timeless.
- Richard Chartier LINE
... more
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Pure intertwining timbral magic that just gets better and better with every listen. The breathing, hypnagogic ambience contained within leaves room for lots of emotions without ever becoming stale or veering into condescension, making it a perfect aural blanket to wrap around my exhausted enbybrain during challenging times. One of the aurally richest ambient albums I have come across in a while, instant favorite. Favorite track: all of them. On repeat.
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The entire release is jaw-dropping, but the last three tracks (the D-side on the vinyl release), Bones of Angels, Ghosts That Swirl, and Mother Of Pearl, are the most heart-aching yet hopeful 19 minutes of sonic art I think I've ever heard.
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Awe-inspiring walls of sound that reverberate through the caverns of your mind. Equal parts immensely beautiful and immensely powerful...
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“Bells in New Towns” from Landing balances driving, anthemic post-punk with moments of gauzy dream-pop beauty.
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Ambient drone with an organic flow and sense of naturalism; this album explores the concept of memory itself.
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The Space Voyage
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Take a trip through the cosmos with these gorgeously expansive songs, that move from haunting ambiance to driving EBM.
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You'll Never Get To Heaven's interdimensional older sibling
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